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When cinema students learn how to create a documentary, they are rarely taught about the terrifying logistical aspects. We have asked Azerbaijani filmmaker, Arzu Aliyeva some questions to gain more knowledge about. Aliyeva is a well-known filmmaker and documentary producer who has encountered many logistical issues when working on her projects. Aliyeva has been behind the production of films such as “Son Iclas” (and “Objective Baku). The Nazis’ War on Oil

This article will look at and analyze various aspects of making documentary films.

The steps of documentary film production

Filmmaking isn’t like other analytical fields like accounting or finance. Arzu Aliyeva affirms that every step of the production of a documentary is guided by their concept, which they’ve laid out as director. She claims that no documentary is exactly the same as its predecessor, just as snowflakes.

But, even so every film starts with “pre-production.” This simply means that the filmmaker must have an idea about how his film should look.

Arzu Aliyeva Now it is time to start planning your film. Aliyeva says planning is a simple word that is a powerful word. It involves scheduling, planning budgeting, creating interview outline and preparing your schedule and setting up shot lists. Before turning on your camera, everything should be done .

Once you’ve arrived at the production stage , it’s time to put all of your preparation into practice. Aliyeva reminds us that an essential rule of film production is that “Nothing is ever as it was scheduled.” It is possible that you done better than a lawyer in the class action lawsuit but things can swiftly alter in the course of your work. Aliyeva emphasizes the importance moving with your movie and not fighting it.

Once the production has been completed and you’re ready to move on to the post-production stage. When you’ve completed shooting all of the material then you must decide what’s worth saving. Arzu Aliyeva Aliyeva says that the bulk of the film will be kept on the floor of her editing room.

Did you finish your movie? Great! Now it is time to present it to people. Arzu Aliyeva claims that distribution isn’t something that filmmakers are taught. Unless you are big-budget epics, documentaries don’t get the same demand as feature films. It’s possible to promote it on the web or with large corporations.

Arzu Aliyeva’s most Essential Equipment in a documentary

Aliyeva jokes about how everything starts with a camera whenever she’s asked. Two essential elements are needed to make a documentary, regardless of its size and budget. The film should be seen by the audience, and they must hear it. Arzu Aliyeva You should have the best camera possible and audio aids that allow viewers to hear what you just showed them.

Arzu Aliyeva Once you’ve established, you’ll need more equipment for filmmaking that can help you in conveying your message. Arzu Aliyeva That, of course, is contingent upon the type of documentary you are making. A quality lighting system is essential for making a documentary that relies only on archive footage or interviews. You should purchase a camera as well as audio stability equipment in case you are planning to create films that contain a large amount of outdoor shots.

Aliyeva clarifies that it’s highly individual and interchangeable depending on the type of project you are planning to create. The thought of equipment is a critical element of budgeting in your pre-production phase.

What is the typical time it takes to make a documentary?

According to Arzu Aliyeva, the length of your project is something that can never be fixed in the stone. Projects can take from months to complete, and even years. Aliyeva says that it all depends on the topic and your passion. Because Documentaries often deal with significant social issues, the movie is able to follow these issues as they unfold in reality. A filmmaker may enter a project thinking it will take him several months to complete, but the reality may swiftly make it a few years.

Another factor that could reduce or increase the length of your film is your budget. Unexpected changes may occur to your budget when you are in the production or pre-production phases. Aliyeva breaks it down into two situations.

The least likely option. You probably ate too much and spent too little money on production at the early stages. So, you’ll have very little or no funds for the remainder of your film. Aliyeva mentioned that this could be a good lesson on how you can keep your film running with a small amount of money.

The less probable one: According to Aliyeva the less likely scenario is only available to those filmmakers who are fortunate. This is where producers and big companies hear about your idea and then decide to finance it in the near future. This could help your efforts and open possibilities you’ve never thought of.

Arzu Aliyeva Arzu Aliyeva Aliyeva asks how much it will cost to create documentary.

Similar to the other factors discussed in this article, the price of your film is highly project-dependent. Arzu Aliyeva counsels anyone who is requesting advice to be wary of budgeting. It is crucial to know your goals for each phase of film production. Your film’s length and the size of it will decide the amount it will cost.

If you create a film that is based on stories and testimonials, there isn’t much need to have a huge budget. The bigger the movie-the higher the price. The price of many films will be determined by locations, production values and the cost of the film’s features.

Aliyeva believes that the cost is what defines your vision. Also, make sure the vision justifies your costs.